Jane Wheeler's Blog - Just another WordPress weblog

October colour

Posted jane -->on 19th Oct 2019

firstly I have to squeeze in a succession of photos from the last day in September, really worthy of a separate post, but I put it off, so this is a catch-up

on Monday 30th September we arrived early at Morston knowing it would be a big tide, but after an overnight blow from the north-west the water had not got out of the lagoon behind Blakeney point between high tides and had risen right over the marsh

giving an impression of how things may be in a few years? decades? when more polar ice has melted

even the coastal path was impassable without waders or a boat

and B got several cold wet surprises leaping about in the long grass

but it was peaceful and very beautiful

and I took a nice clean dog with me on my taxi run for my good friend who has just had a lung transplant.

only two days before

I was taking photos of autumn on the edge of the marsh, where the samphire has turned all sorts of lovely colours, from maroon to shocking pink.

the sea asters are over but the sea pinks survived the inundation

inland colours are mellowing. here is an ivy bee, a specialist wild bee species that’s become more common recently

a little bit of bracken bronzing

and early leaf fall – at Holt Lowes it’s mostly the birch

of course Bims is a nice autumnal colour herself

the dartmoor ponies will stay out all winter, they have great resistance to cold and wet and are able to stay fat on very little

pools reflecting sky and leaves

as for painting I found these colours in a book of Diebenkorn paintings, this abstract done in 1951

and happily tried to transfer them

but my painting seemed so dull when I got it indoors I went back into it

with lighter versions of these early autumn shades

these details give me points of departure for new paintings

in the meantime I visited the original church of Edgefield, near Holt, in the 1880’s most of it was taken down and incorporated into a new church in the centre of the village. they left the Saxon octagonal tower

and some of the doorways and windows

the churchyard is full of hawthorns, bloody with haws – our visit on 1st october, the anniversary of Mary Tudor’s coronation – and some late tombstones

in heavy rain I took this photo of the biggest remaining window arch

which inspired me to add the shape to my painting

 

 

two walks in Fife

Posted jane -->on 24th Aug 2019

yesterday we went to Kemback wood, a steep woodland quite near to St Andrews, for a shady walk at lunchtime, thinking of what was best for the dogs as well as ourselves.

this walk begins and ends with a pretty gate, first through the stone wall near the Neo-Gothic parish church, stone-built  in 1820 and very small with narrow pointed windows. you drive up an alarmingly steep lane to get to it.

the gate leads to a path along the lower edge of the wood, looking out

under trees into meadows. one tree was a huge field maple, I’ve never seen such a magnificent specimen, as big as a mature beech. I’m pretty sure it was field maple, with small maple-type leaves and the rather spongey bark.

small burns flow down the hill

Em always likes a paddle

B not so much unless she’s been running

this burn tumbles down the hill from a set of waterfalls, amongst bluebells

and ends up in this pond, flowing over the far edge. across the meadows is Kemback House

our path led up and up. we were thankful for the shade and the breeze shimmering the dappled light

when we got to the top, past caves, or quarrying in the level bedded sandstone, the path skirted some steep drops

then we were out into the back of Blebo Craigs, and a grass field with a gorse portal to this path

back into the edge of the wood

through a narrow kissing gate, and then down what seemed like hundreds of steps back to the church. a good work-out for all parts of legs and bum.

this morning we drove to Balmerino, a bit further from St Andrews, near Tayport and on the Tay estuary. I actually looked at a small house for sale here about three years ago, but the enclosable garden was too small for dogs. this yellow painted one would suit me better, but it’s not for sale, of course.

a few metres down the lane you drop down to the Fife coastal path and a shingle beach

today the tide was low and the water clear and still

the estuary is huge, the Tay has a catchment area of two thousand square miles and is the longest river in Scotland.

the coastal path takes you along the edge of the estuary, on a paved path above the shingle, and then up steps into a wood full of bluebells and also many campfire hearths. today there was a beach clean along here, and I imagine there’s a lot of litter and debris involved with this camp fire activity.

several burns flow down the steep slopes, with footbridges crossing them

the path wanders up and down

at times near the beach, where there were some line fishermen and views across the Tay

not so much of a breeze today and higher temperatures.

the beach with overhanging trees made me think of a book I’m reading at the moment, Oliver Rackham’s The Ancient Woods of the Helford River, which has just been published by Little Toller Press. In that part of Cornwall, on the Lizard peninsula just south of Falmouth, the land is interpenetrated by drowned valleys, where the woods come down to the sea in the same way.

here though a lot of the trees are non-native conifers

with some clumps of beech, also planted. Beech is common in Fife, but it is not native.

we turned off the coastal path to take a track back to Balmerino. the conifer wood is very obvious in this view of the Tay and the farmland opposite.

the track is bordered with ditches, some sounding with water burbling, and hedges of bramble and sloe,  edged with rosebay willow herb. in the middle of the track we found this huge elephant hawk moth caterpillar looking for somewhere to pupate. Rose bay willow herb is a favourite food plant. the adult moth has a wingspan up to 2 1/2 inches and is a beautiful creature, olive green and pink. you can see this one’s horn at its rear end and the double eye patches near the head. it was flowing across the track at speed.

we found a more portable treasure as well – a jay’s secondary wing feather with the blue stripe of the covert feathers like a jewel on the edges of the white.

I would have expected to hear and see buzzards around here but there was nothing. too near the sea? over-active gamekeepers? (we saw a pheasant rearing enclosure in the woods) perhaps we were just unlucky.

today the Tay was like a mirror

back in Balmerino we popped into the grounds of the ruined abbey, founded in the thirteenth century by a band of twelve Cistercians.

it was converted into a house by the first Lord of Balmerino in the sixteenth century, and so much of it survives.

actually we were more interested in the four hundred year old sweet chestnut tree in the grounds.

 

Ty Newydd again

Posted jane -->on 13th Aug 2019

Back to Ty Newydd, the National Writing Centre of Wales for a nature writing course with Mark Cocker and Kathleen Jamie (with Horatio Clare as the guest writer/reader) last week. when I was there in the autumn it was late October and quite a different feel to everything. and this was such a different course to the rather alternative storytelling retreat with Hugh Lupton and Eric Madden.

last week it was warm and we had a lot of sun

the lavender in flower and filled with bees – honey, and several different bumblebees

I think this is a carder bee

and this is a white-tailed bumble. One of our morning workshops with Mark had us looking hard at the bees for at least fifteen minutes to write something really concentrated about them.

there were also dragonflies – this is a dead one found in the house

and a few moths. this rosy footman was stranded in the house overnight

having entered and become confused by the glass the night before. there are so many moths with wonderful names; it was great to have someone (Mark) who is an expert on insects to share information.

this time I managed a walk to the beach almost every morning – the circular walk is just over two miles, taking in small paths

through tree-edged fields of grass

under the single railway line

past brambles – ripe blackberries one morning for breakfast –

bracken, grazing cows

a deliciously tarry hut

down to where the river Dwyfor comes out into Cardigan Bay

and along the coastal path

beside burling water (burly water described by Norman MacCaig) that in spate into a high tide must be quite a sight –

but the tide was out or going out in the mornings last week – and one morning a heron flapped across low to the little waves

there’s always a special light in the mornings

and back up to the house, David Lloyd George’s last home

a lawn full of self-heal, and the semi-circular porch and window echoed by lines of flat pebbles set on end raying out in another semicircle before the grass starts

the house is surrounded by mature trees, but this walnut is my favourite, its branch across the stone steps down to the kitchen and utility part of the house.

I omitted to take photos of the wood and the river where we spent one morning making notes, leaving me with a few close-up portraits of Himalayan balsam flowers – extraordinary sexy glutinous objects.

full of thoughts about my own writing and about the very good insights into the poems we worked on, from the whole group of writers, and from Kathleen Jamie. I drove home in a gale, shreds of leaves flying across the road. these damsons blown early off the tree in my garden went into a cake. the next lot will be gin.

those blues seem to have got under my skin

yesterday I tackled a large oil painting (48 x 48 inches) which has been waiting for me to know what to do to it. the large emulsion brush turned out to be the key.

it’s good to have a break from something like painting. doors open, just like that!

 

 

 

the flowers of the forest

Posted jane -->on 25th Jun 2019

a well-timed visit to scotland in mid-June, where the weather was cool but sunny in contrast to saturated Norfolk

we had several beach walks, some here on West Sands in front of St Andrews’ golf course, early mornings before family went to work

low tides gave us plenty of room

although one of us is very sadly a bit too arthritic to play games on the beach

I visited Big Cat Textiles in Newburgh, on the Tay estuary, had lunch with old friends on the last day of Michel Garcia’s plant dyeing course. everyone was extremely busy rinsing, printing, ironing, drying in a fever of time limits, I pottered in the shop, bought some of Alison Mountain’s deliciously dyed merino/silk/yak knitting yarn.

Jeanette Sendler showed me a marvellous book from their library, of Sheila Hicks’ small tapestry works, Weaving as Metaphor, which ought to inform some abstract paintings soon; if I were not already doing too many projects it would have me going back to this art form which I tried in my twenties.

back at St Andrews – Bims is so much more grown up now she is three and there were no floor/carpet tragedies.

on the Saturday we went for a walk at Tentsmuir near the mouth of the Tay estuary – in fact between two estuaries, the Eden flows out to the south and the beach here at low tide appears to join up with West Sands, but in between are sandbanks, quicksands and a river. Tentsmuir forest is forestry commission, but the seaward edges are very au naturel, low sandy hillocks covered with some marram and some machair-type vegetation, full of flowers. this is an area full of ancient archaeology, which used to be turned up by rabbits until the myxomatosis disaster. it’s also next to a military zone. a place full of complications and connections.

to my delight this June it is full of northern marsh orchids, some flower heads five inches long. I was so excited by the orchids I didn’t take enough notice of all the other flowers.

Bims had another fantastic run and play

then back on the lead and into the woods

more orchids along the trail

woods in Scotland have totally different understoreys to english woods, fern, lichen, and moss are king

old birches growing out of mossy humps and cushions

someone had put a painted stone in a hole in this tree – green with red lips and white teeth, a kind of baby dinosaur face.

on Sunday we went further afield, into Angus, near Forfar, Montreathmont Forest.

it’s Forestry Commission like Tentsmuir, but much of what we walked was open like this, some spruce but a lot of scots pine and forest floor covered in a mixture of ferns, mosses, heather and bilberry.

there are supposed to be capercaillies, but I think you would have to be up at dawn to hear them.

more flowers – a lot of bugle – occasional orchids – beautiful dark blue speedwells

and this which I now think is wild grape hyacinth – I found the native version in Simon Harrap’s very thorough Wild Flowers, although the flower head is usually more like the garden variety, except that it’s a really dark smoky blue, and in this photo the blue is too bright.

we followed some marked paths through open meadow (where the bugles followed lines across the grass) with alders and birches, and then through more of the “Caledonian Forest” style woods, delightfully not forest trails.

Lucy had downloaded the OS map for the walk, and there was supposed to be a path near here, in an open strip similar to this, with a little burn/ditch, but no sign of the path, in very long wet grass

then as the grass was so long and wet we tried the edge of the wood, but the moss and heather cushions were knee high, so that was not any easier

we crossed the burn/stream/ditch – luckily there was a ledge or the remains of a bridge where the path had been

through drier/shorter grass and a landscape of fern clumps growing out of their own humps/stumps and some birch, alder and then heather and broom. then the open landscape ended in a wood. the path was supposed to go through it, parallel to a straight forest ride. we had to push/crawl through small spruce and gorse, ended up soaked and our clothes and hair full of pine needles. the spruce branches low sharp and painful. at last we fought our way through to the high gorse edge of the trail, I had to sit on a gorse bush to allow Bimba through. real forest bathing – and my hip has still not recovered completely.

the trail also petered out, but that was marked on the map, and the path it turned into had recently been tended with some branches cut. finally we were back on track to where the car was parked.

 

 

 

wandering in a winter wood

Posted jane -->on 19th Dec 2018

most of the trees have dropped all their leaves now but this oak still has plenty. it’s on the edge of the wood by the bottom of the green lane

the hazels have their catkins all ready to expand as soon as february or before if it’s mild

there’s a section of the wood that seems in a state of collapse. it is mostly elm and ash; the elms get to a certain height then the bark boring beetles find them and spread the fungal disease Ascomycota. the tree reacts by plugging its own xylem tissue with gum and tyloses, bladder-like extensions of the xylem cell wall. As the xylem (one of the two types of vascular tissue produced by the vascular cambium, the other being the phloem) delivers water and nutrients to the rest of the plant, these plugs prevent them from travelling up the trunk of the tree, starving the tree of water and nutrients, therefore, eventually killing it. but the roots are still alive and send up new shoots, so there is a continuous cycle of growth and death in the wood.

 at the moment there seems more death, and rafts of dead trees block the old paths.

on the other side of the wood the spring-fed pools are still dry. at the end of the winter last year this was a large pond. the water bubbles up from the bottom when the spring runs.

the bare branches catching low sunlight. there were long-tailed tits, and then another bird I wasn’t sure of, possibly pied wagtails, running along the high branches, with a “plink plink” call.

oaks

and beech predominate – there are some monsters

holly in the lower storeys,

making domed hallways

while hazel grows in these bushy forms, flexible and sometimes trapped into archways

and ancient carcasses sprawl across the woodland floor. but no ash in this main part of the wood.

the wet nature of this land with its springs, sumps, swamps and little stream 

means it’s not suitable for agriculture, though I worry the owner may want to exploit it for growing trees for biomass – hopefully the expense of draining would prevent that. terrible idea anyway.

it’s quite easy to get lost in here, paths entice and bring you only to bramble patches and more fallen trees

as there are so many deer – red, roe and muntjac – I wanted to see if young trees were growing. I recently read an extract of Oliver Rackham’s book on the ash tree, in which he said that woodland oaks were not reproducing due to oak mildew, and hazels due to squirrels. deer nip off young growth too.

I found several young beech trees but no oaks, and plenty of hazels. 

our hedgerow oaks had bumper crops of acorns this year. most oaks grow from forgotten jay stashes.

I’m standing in the soft peaty earth and leaf litter of the dry pond.

there are many standing elms, some dead and some alive, protected by the other trees. 

down here in the almost forgotten centre of the labyrinth I try to find my slow way home.

more folded books – Orkney part four

Posted jane -->on 1st Dec 2018

here are our lengths of paper, painted and drawn on in the dyeing shed, brought indoors to fold and cut;

put together the whole is more. we used japanese ink sticks rubbed onto flat stones from the beach with water, and peat from the burn banks, making brushes or finding twigs and other materials to make marks.

we had embroidered squares and dyed them to make book covers

padded with pieces from the floor-covering old blankets that had been used to protect the billiard room carpet from our activities. however, on advice I left my book uncovered, and used those pieces of silk joined to other pieces to make another tsunobokuro bag. which has since gone to wrap my daughter’s birthday presents ….

but there was more –

we stitched papers into the book

from the selection in our first present of materials, from Alison – old map pieces

tracing paper, and the rubbings I had done of George Mackay Brown’s words around the pool in the garden

sewn in with linen thread

a new artist’s book. an interesting technique which needs none of the usual materials for book binding beyond aul, needle and thread.

then we worked with Alison with colour again on our last afternoon

by this time I had loosened up a great deal.

I used the watercolour tubes I’d brought, on papers from Alison’s contribution

and on this one, the vegetable dyes and oil bars she’d brought.

then I added some colour to the sketchbook from our trip

it melted the fountain pen ink

and is rather gestural instead of “filling in”

but in some cases I think I did a bit too much

however on the whole I’m pleased, and

intend to make more sketchbooks in this way

perhaps on the writing outside courses; the next one starts in January.

a slow look at the sound on our last morning, and a slow look back from a grey seal. a place to stick in the mind, and a wonderfully productive week with “sister stitchers” – keeping in touch via instagram –

I have already obtained a copy of George Mackay Brown’s A Portrait of Orkney, and ordered his collected poems.

on the subject of poems

my poem is out in the Rialto, very exciting

 

the colours of the land; Orkney part two

Posted jane -->on 26th Nov 2018

some people assumed that there would not be much in the way of leaves to dye with here in Orkney towards the end of November, and that the weather would be too awful to get outside much. but in fact the weather was mild and open; some days the sun shone all the short hours it was up.

the low lying islands make the sky huge, and there is light reflected from the surrounding and interlocking water of sea and loch.

at the bottom of the garden at Woodwick House the island of Wyre is a low hump across the sound, and the sea constantly changes colour

  

and the bare trees form a patterned screen – in this case

Rousay is the pink land under the pink cloud on the horizon, caught by the setting sun.

in George Mackay Brown’s book Magnus he describes this group of islands, ten including the mainland which he gives its old name, Hrossey (horse island) “the islands shift their places around the firth, Hrossey, Eynhallow, Rousay, Gairsay, Shapinsay, Wyre, Eday, Sanday, Stronsay, Egilsay” as Magnus and his men sail/row across the sound towards his martyrdom on Egilsay

on the beach there is a thick wreath of seaweed, coloured from ochre to rust to deep wine-purple, amongst stones that are lighter versions of the same colours, and at low tide, fine grey sand, ripple marked.

from the beach you can walk back up beside the burn, as it pours over the rock steps and pools in treacle brown depths

on a path through shrubs and trees

with secret spots to hide and read a book or draw,

leant over by tree branches. from the name I suppose there must always have been trees here.

quaint post and rails – the seabird skull my addition, a find from the beach –

snow drop bulbs everywhere in bare earth and humous, already starting to sprout green horns.

at the top there’s what they call in scotland a doo-cot – a dove cote

with compartments for all the pigeon nests, providing baby pigeons for pies. whether this is a genuine really old one is hard to say, but it’s been made into a sort of pagan chapel

a quiet contemplative place

beside the sound of the rushing burn

at the gate before the bridge

and at the other side of the house there are castellated turrets – a late Victorian fancy. the gates are missing, anyway, and the path down the to the sea is public.

the hens are the rightful owners of the garden, six of them, and with no foxes they don’t have to be shut in at night.

this one is the boss, she’s twelve years old. one day they laid four eggs!

inside we had been hard at work stitching on paper, watercolour, or other special paper – some hand made. I had brought heavy weight watercolour, and it was brutal to stitch on, so mine was quite minimal. others filled up their three pieces with masses of abstract stitching and pieces of fabric.

then we made folded books, into which we inserted leaves/and seaweed

wrapped them into parcels with cloth

and after a brief cook

opened our little treasures, at the same time adding to our drip-sheets/abstract paintings (Japanese inksticks ground on beach stones and peat from the burn-side, using sticks and home-made brushes, and yes, fingers)

they looked gorgeous when wet

though this lovely rusty brown

dried to something a bit duller.

the drip-lengths were made into something very exciting on the last day.

when you work with leaves and stitches your eyes get tuned into all the fine details of the landscape

things you might walk past before, suddenly shine out at you with their beauty.

 

the fortress of the high powers

Posted jane -->on 28th Oct 2018

the last day of the course at Ty Newydd was a trip into Snowdonia, hill-walking with storytelling and heightened speech.

we drove up the Nantlle valley from the coast on the Anglesey side

through the pass to a high reservoir

where we stopped so that two of us could deliver their invocation/heightened speech in the spirit of place

the weather collaborated and while the utterances were in progress we were enveloped in a hail storm.

we stood close together like penguins keeping warm in a snowstorm. reading from an ipad covered in melting hail was quite a feat, having climbed up a very steep little hill.

although the weather was uncomfortable at times, it would not have been so atmospheric without the huge fast moving clouds and intermittent sunshine.

we drove on to Beddgelert, refreshed and warmed ourselves, and those able to march up hills and scramble over rocks continued to Dinas Emrys, to encounter dragons and fortresses.

it’s a National Trust site. I am not normally fond of carved wood things on walks, but this dragon bench is very fine. the scales on its back stood up five inches proud of the spine, its tail, with similar scales, made a a complete three hundred and sixty degree turn at the other end of the seat, and huge claws splayed out at each end. Here Eric (Maddern, one of the course leaders) began his tale of Merlin’s prophesies at Dinas Emrys, taken from Geoffrey of Monmouth’s History of the Kings of Britain. the story features the welsh red dragon defeating the saxon white dragon.

we walked on through woods on mossy paths and up and down stone steps

the hill we were walking to is probably a volcanic plug; it sits between the higher mountains – on the west side Moel Hebog, which blocks any view of Yr Wyddfa (Snowdon) itself, and on the east, Grib Ddu with Moel y Dyniewd higher behind,

in the valley of Afon (river) Glaslyn

we passed waterfalls – this the biggest, with its pool of blue stones

and a huge quartz block, a pulpit stone

then more stone steps as we climbed higher

through wood

and pasture

higher

with views of wooded hills

and bare mountains

until we reached the narrow neck of land

and the steep path

connecting Dinas Emrys

a very defensible precipitous path, looking down to the Arfon Glaswyn valley

coming down, after the rain which began soon after we got to the top, I slid on my bum over the steepest rockiest part, it seemed safer.

here the view of the lake

looking down to Llyn Dinas

at the top at last, to sit in the square of what are probably the foundations of an eleventh century tower, and listen to the last part of Eric’s re-telling.

below the tower is a hollow place with a pool, a natural amphitheatre. it was choked with rush and the ground covered with bracken, but Eric has been clearing it, and now the eye is open. in one of my favourite children’s books, written in 1959, the Lantern Bearers by Rosemary Sutcliff, this place is reimagined as the mountain hideaway not of Vortigern, but of Ambrosius, the son of the leader Vortigern betrayed when he brought in the saxon warbands led by Hengist and Horsa. she uses the name Dinas Ffaraon and translates it as Fortress of the High Powers. Emrys is the Welsh version of Ambrosius, but it also means immortal one. her description of the approach, from the lake, although it’s not the way we came up, has the same feel of mystery and magic. “The path squeezed its way through, and plunged on upward. In the softer and more level places it was a slithering quagmire, at others it ran out onto bare, mist wet rock” and she places Ambrosius in the hollow place at the moment of meeting the main character, Aquila, “on the edge of a little hollow with the gleam of water at the bottom of it” Aquila hears the notes of a harp from buildings in this hollow, and finds Ambrosius within.

re-reading this book I get the feeling that Rosemary Sutcliff was quite an influence on my own writing; her strong sense of place, and detail of plants and animals make her fiction intense and vivid.

as we searched out fallen wood for our fire, and Eric dug away rush and turf from the stones, it began to hail. nevertheless the fire was lit and we ten uttered our heightened speech to our chosen entity; to the lost eagles of Snowdon, to the Green Man, to Pan, to Rhiannon (that was me), Artemis, Myrddin, Math, Sophia, Thor, and Taliesin.

although we couldn’t see Snowdon from the reservoir because of the cloud, when I left Wales the next morning I caught a glimpse of it, covered in a light dusting of snow, from the Porthmadog bypass. it’s on the very left edge of the photo and soon the cloud covered it again.

a Welsh setting

Posted jane -->on 28th Oct 2018

and a quite extraordinary week for me, really quite out of my depth.

this is Ty Newydd, the National Writing Centre for Wales, also, David Lloyd George’s last home. he lived there for the last three years of his life and died in the library in 1945, overlooking Cardigan Bay; he is buried a little way down the road into Llanystumdwy near the river Dwyfor.

it’s a beautiful place, both the lane and the river, and the woods that surround them.

tall sessile oaks and ashes line the drive

the garden is full of trees – here a huge maple

and the light everywhere mellowed by autumn leaves

it seemed to me a very colourful landscape

here enhanced a bit by the hipstamatic app on my phone

but still, there was a glow that I’m not finding back in Norfolk.

the course I was on, Heightened Speech, was sub-titled “a Spell on the Tongue” and was just one in an annual series of storytelling courses that have been going on for about twenty years, led by Eric Maddern and Hugh Lupton. almost everyone had been on one before, some people have been attending them for years, and are professional story tellers.

as I haven’t even got one poem by heart I did feel a little bit of a fake.

here’s the back of the house, looking out over the lawn to a small gate where there’s a footpath to the sea, about a mile and a half away. some of the accommodation is under the same roof as offices, libraries, kitchen, dining room – which is the medieval heart of the house, the old hall where we did a lot of the work – warming up body and voice, and taking the oral tradition up its “ladder to the moon” from riddle and nursery rhyme, to the heights of invocation and praise-singing

via Lloyd George himself, other speechmakers like Martin Luther King

curses, charms and spells,

prophesies, song, poetry

and storytelling. stories were told from the Welsh Mabinogion, from native American and First Nation Traditions, Aboriginal Australian, from Geoffrey of Monmouth’s History of the Kings of Britain, from India, and further east.

the course was a rich smorgasbord of magical worlds and the voices are still in my head

print and words week 2

Posted jane -->on 29th Jun 2018

so when you have strips like this and your tutor says she thinks you should slice them into even narrower strips …

you think for two minutes and then you take the risk ….

and stick words on and fold …

and then the print looks even more like manuscript illumination

and you cut up your poem

and find the words are so much more brilliant isolated on their long narrow pages

like jewels

and you print more in an afternoon of adrenalin

and more ideas are offered

that you need days more to explore

and at home

you tear and fold what you printed

and cut up another poem

that you are in the middle of writing

hoping this process will clarify

its labour-pains

and then

you have two more concertina books a little more resolved

being pressed between boards

to flatten and many thoughts towards more.

« Previous Entries